Saturday, November 5, 2011

Forbidden Lie$

Smith & Wesson SWFR2S Extreme Ops Knife with Coated Tanto Blade and Rubber Coated Handle, Black

  • Features a 3.3-inch blade and a 4.7-inch handle
  • Constructed of 400 series stainless steel
  • Equipped with an integrated glass breaker
  • Also includes an integrated seat-belt cutter
  • Weighs only 4.4 ounces
A TELEVISION COMMERCIAL SHOOT IN AUSTRIAN ALPS FEATURINGEXTREME SKIING GOES TERRIBLY WRONG WHEN THE FILM CREW UNKNOWINGLY CAPTURES A WANTED SERBIAN WAR CRIMINAL ON FILM. IT'S A BATTLE FOR SURVIVAL BETWEEN THE WAR CRIMINAL AND THE EXTREME SPORTS ENTHUSIASTS.When an extreme-sports filmmaking team sets out to make a commercial featuring a gold-medal skier outrunning an avalanche, they run afoul of a Serbian war criminal hiding out in a mountain resort. So it's snowboards vs. bullets on steep slopes of snow--and if that's your thing, Extreme Ops is for you. There are also subplots about the high-class skier (Bridgette Wilson-Sampras, House on Haunted Hil! l) trying to prove herself with the rough-and-tumble snowboard scamps, and various romantic sparks flying, but the only real point to this movie is lengthy shots of stuntpeople zipping down the mountainsides. Though it could stand to have less plot and more action, there's a good dose of spectacle nonetheless. Rufus Sewell (Dark City), Devon Sawa (Final Destination), and the cast do a serviceable job, but poor Brit Rupert Graves (excellent in Mrs. Dalloway) was forced to act through a terrible American accent. --Bret FetzerThis item comes with well known brand name of Rothco. Rothco is the World's Foremost Supplier of Military and Outdoor Clothing and Accessories.

PaperMate Pink Pearl Premium Medium Rubber Eraser, 3-Count (70502PP)

Alone With Her

Cellular (New Line Platinum Series)

  • SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.Running Time: 95 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating:&nbs
SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.

DVD Features:
Audio Commentary:with Director David Ellis, writers Larry Cohen and Chris Morgan
DVD ROM Features:Script-to-Screen
Deleted Scenes:w/optional Direct! or commentary
Featurette:3 Exciting Featurettes! "Celling Out"A look at cellphones in today's culture "Dialing Up Cellular"Making of The Film "Code of Silence: Inside the Rampart Scandal"
Theatrical Trailer

Just when you think it's getting silly, Cellular serves up another tantalizing twist. In the time-honored tradition of Sorry, Wrong Number and Wait Until Dark, Kim Basinger is well-cast as a resourceful damsel-in-distress who thwarts her kidnappers by connecting with a n'er-do-well cell-phone user (Chris Evans, later seen in The Fantastic Four) who races against time to rescue her from afar. One good cop (William H. Macy) assembles clues to uncover conspiracy, while first-time writer Chris Morgan and pulp-movie master Larry Cohen (who conceived the plot, similar to his own Phone Booth screenplay) serve up a consistently satisfying string of high-tension surprises. Jason Statham continues to prove his rising-s! tar status as the film's tenacious villain, and director David! Ellis ( Final Destination 2) takes advantage of his experience as a veteran stunt coordinator and second-unit director, making good use of locations in his native Santa Monica, and wringing credible suspense from a deliriously far-fetched premise. --Jeff Shannon

Dracula 2000

  • Simon (Miller) is a vampire hunter in training under his apprenticeship.
  • Van Helsing and Simon travel from London to New Orleans to rescue daughter Mary.
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The master of modern horror, Wes Craven, presents a riveting adaptation of the chilling classic featuring Jennifer Esposito (SUMMER OF SAM), Omar Epps (IN TOO DEEP), Jonny Lee Miller (TRAINSPOTTING), Vitamin C (GET OVER IT), and Jeri Ryan (STAR TREK: VOYAGER). When a team of techno-savvy thieves breaks into a high-security vault, they don't discover priceless artwork ... they find a crypt that hasn't been opened for 100 years! Suddenly, the ancient terror of Dracula is unleashed in the chaotic 21st century. Free to follow his pursuits of seduction and po! wer, Dracula's first destination is America and the exotic city of New Orleans, a place where he feels right at home. Not far behind, however, is a young vampire hunter (Miller) from London, determined to save a young woman (Justine Waddell) with whom Dracula shares his dark legacy!As a director, Wes Craven has been able to infuse his horror movies with humor and some smart, often genuinely creepy, thrills, even on his lowest-budgeted films. As a producer of horror movies, well, his record has been spotty at best. Craven tapped his longtime editor Patrick Lussier to direct Dracula 2000, and the movie ends up with all the good and bad of "a Wes Craven production." A modern-day update of the Dracula legend, the script has some genuinely good ideas. Christopher Plummer (The Insider) takes a relatively juicy role as Van Helsing, owner of an antiques shop specializing in ancient weapons. He takes exception to how his namesake was portrayed in Bram Stoker's classic! novel, which he's more than happy to tell his assistant (Jonn! y Lee Mi ller, "Sick Boy" from Trainspotting) without telling him the whole story. When Omar Epps leads a band of high-tech criminals to break into Van Helsing's high security vault (thinking that with so much security there's got to be something extremely valuable in there), what they end up stealing is the body of Dracula, who of course awakens from his slumber. When the story shifts to New Orleans, where Van Helsing's estranged daughter is working for the local Virgin Megastore (here metaphor is replaced by product placement), Dracula is drawn to her. The undead start to multiply, and the vampire hunt resumes. Another excellent idea deals with a new origin to Dracula, flashing back to biblical times to explain his aversion to silver and crosses. But there is a downside. Under the inept direction of Lussier the movie is never scary, inspiring instead an occasional feeling of pity for the actors. Overall, this a vampire movie for the mind, not the heart. --Andy Spletzer!
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