Friday, December 2, 2011

How the Grinch Stole Christmas!

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Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan star! ts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altogether different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of! events that may cost her everything she has.

The K! indle eb ook edition of Glass House also includes the first chapter of Omicron, which is also available for Kindle.

Reinken is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's one slick piece of work."Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking at Jeremy Waldoch. Megan'! s agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altogether different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of Omicron, which is also available for Ki! ndle.

Reinken is the author of Judgment Day, described ! by Publi shers Weekly as "a nearly seamless medical/legal chiller that's one slick piece of work."London 1817

On a cold January night, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and has more encounters with the intriguing Lady Breckenridge.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, ! Anne Perry, and C.S. Harris. This is a full-length novel.London 1817

On a cold January night, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and has more encounters with the intriguing Lady Breckenridge.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-len! gth novel.

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Full of It

Friday: Director's Cut [Blu-ray]

  • Just another day. But what a day. A day that shows a lighter side to life in the hood. That brought Ice Cube (Barbershop) and Chris Tucker (Rush Hour) to a wider audience. And that s now even more uproarious in an Extended Director s Cut never before available. It s Friday, and Craig (Cube) and Smokey (Tucker) must come up with $200 they owe a local bully or there won t be a Saturday. Co-writer Cu
Sequel. Craig and Day-Day move back into the hood, where they find jobs as security guards at a strip mall. Hijinks ensue on their first day on the job, which happens to be Christmas Eve.

DVD Features:
3D Animated Menus
Audio Commentary
DVD ROM Features
Deleted Scenes
Documentaries
Full Screen Version
Gag Reel
Music Video
Other
Theatrical Trailer

Ice Cube (Barbershop) uses his r! elaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret FetzerIce Cube returns as Craig Jones, a streetwise man from South Central Los Angeles in! this smash hit sequel to the comedy, Friday. Trouble ensues t! his time out as Craig relocates to the suburbs in order to hide from the neighborhood bully, Debo.

DVD Features:
Alternate endings
DVD ROM Features
Gag Reel
Music Video
Theatrical Trailer

Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig's father (John Witherspoon) sends his son to stay with his Uncle Elroy (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over.! It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though funny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret FetzerThe complete 3-Pack of the "Friday" movies will have you in stiches. One of the funniest series of movies to ever hit the silver screen.Friday
Friday is that rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no! -frills tale of a day in the life of a pair of young blacks i! n South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown

Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out for revenge. To protect Craig, Craig's father (John Witherspoon! ) sends his son to stay with his Uncle Elroy (Don "D.C." Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines, though funny lines abound; he writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughl! y enjoyable. --Bret Fetzer

Friday After Ne! xt
Ice Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret FetzerTitles include: Friday, Next Friday, Fr! iday After Next, All About The Benjamins Friday
Friday
is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they ar! e being caricatured, a true achievement in the crass, "booty ! call" e nvironment of '90s African American comedy. --Ethan Brown

Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig's father (John Witherspoon) sends his son to stay with his Uncle Elroy (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though fun! ny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret Fetzer

Friday After Next
Ice Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installme! nt, loaded with preening stereotypes and half-hearted low hu! mor; Cub e generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret Fetzer

All About the Benjamins
Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The p! lot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisIce Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, t! heir performances as ornate and ritualized as a Japanese Noh ! play. Bu t if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret FetzerJust another day. But what a day. A day that shows a lighter side to life in the ’hood. That brought Ice Cube (Barbershop) and Chris Tucker (Rush Hour) to a wider audience. And that’s now even more uproarious in an Extended Director’s Cut never before available. It’s Friday, and Craig (Cube) and Smokey (Tucker) must come up with $200 they owe a local bully or there won’t be a Saturday. Co-writer Cube, director F. Gary Gray and other innovative movie talents lace the plot with shrewdly hilarious looks at family (including John Witherspoon), a preacher (Bernie Mac), a girl-next-door (Nia Long) and all manner of the good ’N’ bad of life in South Central. This is keepin’-it-real comedy for every day of the week.Friday is the rarest specimen of Af! rican American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown!

I Beat the Odds: From Homelessness, to The Blind Side, and Beyond

  • ISBN13: 9781592406128
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The book behind the Academy award-winning film starring Sandra Bullock and Tim McGraw.

Opening in theaters November 20, 2009, The Blind Side is a feature movie based on Michael’s Lewis’s New York Times bestseller, produced by Alcon Entertainment and distributed by Warner Bros. Pictures. The Blind Side tells the inspirational story of Michael Oher, a homeless black teen taken under the wing of the Touhys, a wealthy white Memphis family. Oher’s size and speed on the football field bring him accolades. But learning the game’s strategy and making it as a student take the help of his new family, coaches, and tutor.

Sandra Bullock stars! as Leigh Anne Touhy, the sharp-witted and compassionate matriarch. Tim McGraw stars as her sports-enthusiast husband. Oscar winner Kathy Bates plays Miss Sue, Oher’s indefatigable tutor. Quinton Aaron has his first major role as Oher. John Lee Hancock, who directed The Rookie and The Alamo, writes and directs the film.

Michael Oher was just drafted in the first round of the NFL Draft by the Baltimore Ravens. This edition includes a new afterword bringing Oher’s life up to date through college and the NFL.The football star made famous in the hit film The Blind Side reflects on how far he has come from the circumstances of his youth.

Michael Oher is the young man at the center of the true story depicted in The Blind Side movie (and book) that swept up awards and accolades. Though the odds were heavily stacked against him, Michael had a burning desire deep within his soul to break out of the Memphis inner-cit! y ghetto and into a world of opportunity. While many people ar! e now fa miliar with Oher's amazing journey, this is the first time he shares his account of his story in his own words, revealing his thoughts and feelings with details that only he knows, and offering his point of view on how anyone can achieve a better life.

Looking back on how he went from being a homeless child in Memphis to playing in the NFL, Michael talks about the goals he had for himself in order to break out of the cycle of poverty, addiction, and hopelessness that trapped his family for so long. He recounts poignant stories growing up in the projects and running from child services and foster care over and over again in search of some familiarity. Eventually he grasped onto football as his ticket out of the madness and worked hard to make his dream into a reality.

But Oher also knew he would not be successful alone. With his adoptive family, the Touhys, and other influential people in mind, he describes the absolute necessity of seeking out positi! ve role models and good friends who share the same values to achieve one's dreams.

Sharing untold stories of heartache, determination, courage, and love, I Beat the Odds is an incredibly rousing tale of one young man's quest to achieve the American dream.

BRONZE FAMILY TREE PICTURE FRAME - BRONZE FAMILY TREE WITH 6 HANGING PICTURE ...

Western Collection: 4 Film Favorites (American Outlaws / Young Guns II / Maverick / Wild Wild West)

  • AMERICAN OUTLAWS: Widescreen [16x9 1.85:1] Version Commentary by Director Les Mayfield, Co-Writer John Rogers and Editor Michael Tronick Additional Scenes 4 Featurettes Storyboards, Productions Stills, Artwork and Publicity Galleries Cast & Crew Biographies & Film Highlights Languages: English & Fran ais Subtitles: English, Fran ais & Espa ol (Main Feature. Bonus Material/Trailer M
AMERICAN OUTLAWS - DVD MovieIf you're looking for a showcase for emerging Hollywood talent, American Outlaws is just the ticket. Its handsome young stars, playing Jesse and Frank James and gang, crack wise as if they were in a contemporary high school locker room. Combining authentic costumes and sets with stunt work befitting a Jackie Chan comedy, accompanied by an "Old West" soundtrack that's anything but old and only marginally Western, the film yields a few enjoyable highlights. Seasoned genre buffs, h! owever, will cringe at the movie's clash of visual qualities, as well as the dialogue, which, while not as heinous as that in Maverick, is on par with Young Guns in terms of non-period flavor. It's not exactly a testament to the enduring potential of the authentic Western that was realized by Clint Eastwood's Unforgiven, made barely a decade before.

With all the light-hearted action and character interplay, it's hard to tell if director Les Mayfield (Flubber) is taking the material seriously, but this much is certain: the Jesse James here (played with effortless appeal by Tigerland newcomer Colin Farrell) and his brother Frank (Gabriel Macht) have almost no connection to historical fact. Nor do their fellow farm-raised gang members, the Younger brothers Cole (Scott Caan), Bob (Will McCormack), and Jim (Gregory Smith). (And Jesse's fiancée, played by Ali Larter, looks like she dropped in from a Gap commercial.) The gang's post-Civil ! War battle against a ruthless railroad baron (Harris Yulin) an! d his Pi nkerton henchman (Timothy Dalton) seems arbitrary, irrational (since farmers typically welcomed railroads, not fought them), and riddled with clichés, turning the movie's bloodless shootouts into another opportunity for pretty-boy preening. --Jeff Shannon 4 FILM FAVORITES:WESTERN COLLECTION - DVD Movie

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