- Output Signal-to-Noise Ratio (A-Weighted): 116dB for front-out, 112dB for other channels dB;
- Input Signal-to-Noise Ratio (A-Weighted): 112 dB; Output THD+N at 1kHz: 0.00056% (-105dB) for Front-out
- Input THD+N at 1kHz: 0.0004% (-108dB) for Line-in;
- Frequency Response (-3dB, 24-bit/96kHz input): <10Hz to 48KHz; Output/Input Full-Scale Voltage: 2 Vrms (5.65 Vp-p)
- Audio Processor: ASUS AV100 High-Definition Sound Processor (Max. 192KHz/24bit);
- 24-bit D-A Converter of Digital Sources: 1x Cirrus-Logic CS4398 for Front-Out(120dB SNR, Max.192kHz/24bit), 1x Cirrus-Logic;
- CD-ROM drive (or DVD-ROM drive) for software installation; High-quality headphones, powered analog speakers,
- CS4362A for other 6 channels; 24-bit A-D Converter for Analog Inputs: 1x Cirrus-Logic CS5361 (114dB SNR, Max. 192kHz/24bit);
- Microsoft Windows Vista(32/64bit)/XP(32/64bit)/! MCE2005; Intel Pentium 4 1.4GHz or AMD Athlon 1400 CPU or faster CPU
- One PCI Express 1.0 (or higher) compatible slot for the audio card; One available 4-pin power cable from PC?s power supply unit;
They all live in Los Angeles. And in the next 36 hours, they will collide.Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that
Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from
Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get p! ulled over by a white racist cop (Matt Dillon) and his relucta! nt partn er (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for
Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (
Buffalo Soldiers) and Loretta Devine (
Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as
Nashville and
Short Cuts. A knockout.
--Bret Fetzer
Stills from Crash (click for larger image)
This compelling urban thriller tracks the volatile intersection of a multiethnic cast of characters struggling to overcome their fears as they car! een in and out of one another's lives. In the gray area betwee! n black and white, victim and aggressor, during the next 36 hours, they will all collide.Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black! cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer
Stills from Crash (click for larger image)
In the recent past, the cries of stock market crash 2005 were not yet smoothen after the revival of stock market to some extent that the situation was again worsen and the market was again pulled down to such an extent that daily traders were left with nothing except bankruptcy. In order to meet with such type of alarming situation, this book demonstrat! es the manners and methods under which a stock market crash occurs especially with reference to Pakistan. A deep insight in the capitalization set up of the major companies is brought forward so that anyone who intends to enter the business should be aware of these realities which are prevailing in the different scrips. The study would be helpful for the business class as well as the executive class or anyone else for the purpose of gaining profits and avoiding monetary losses while conducting trade in the stock market or somewhere else. It may be helpful for researchers in advance studies as having a foundation in it.Asus Xonar DX PCI-Express x1 7.1 Channel Sound Card,One PCI Express 1.0 (or higher) compatible slot for the audio card , One available 4-pin power cable from PC s power supply unit , Microsoft Windows Vista(32 or 64bit) or XP(32 or 64bit) or MCE2005 , Intel Pentium 4 1.4GHz or AMD Athlon 1400 CPU or faster CPU,CS4362A for other 6 channels , 24-bit A-D Con! verter for Analog Inputs , 1x Cirrus-Logic CS5361 (114dB SNR,! Max. 19 2kHz/24bit) .
