Fugitive Pieces: A Novel

• ISBN13: 9780679776598
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A New York Times Notable Book of the YearWinner of the Lannan Literary Fiction AwardWinner of the Guardian Fiction AwardIn 1940 a boy bursts from the mud of a war-torn Polish city, where he has buried himself to hide from the soldiers who murdered his family. His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.As Michaels follows Jakob across two con! tinents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.Anne Michaels, an accomplished poet, has already published two collections of poetry in her native Canada. She turns her hand to fiction in an impressive debut novel, Fugitive Pieces. This is the story of Jakob Beer, a Polish Jew, translator, and poet who, as a child, witnessed his family's slaughter at the hands of the Nazis. Beer himself was found and smuggled out of Poland by Athos Roussos, a Greek archaeologist who carried him back to Greece and kept him there in precarious safety. After the war they emigrated together to Canada. Jakob's story is told through diaries discovered by Ben, a young man whose parents are Holocaust s! urvivors and who is a vessel for their memories just as Jako! b is the bearer of his own.

Fugitive Pieces is a book about memory and forgetting. How is it possible to love the living when our hearts are still with the dead? What is the difference between what historical fact tells us and what we remember? More than that, the novel is a meditation on the power of language to free our souls and allow us to find our own destinies.

Gone, Baby, Gone: A Novel

• ISBN13: 9780061336218
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting! .) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, an! d he soon finds there's more to the story than anyone could po! ssibly i magine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound ye! llow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready! . Without sentimentalizing the grotesque figure of Cheese, Le! hane tel ls us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the! War, Sacred. --Dick Adler

Catch a Fire: The Life of Bob Marley

• ISBN13: 9780805080865
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The classic biography of reggae legend Bob Marley, updated and revised for the twenty-fifth anniversary of his death

Bob Marley left an indelible mark on modern music, both as a reggae pioneer and as an enduring cultural icon. Catch a Fire, now a classic of rock biography, delves into the life of the leader of a musical, spiritual, and political explosion that continues today.

Under the supervision of the author's widow and with the collaboration of a Marley expert, this fourth edition contains a wealth of new material, including many revisions made by the author before his untimely death. An appendix to the new edition chronicles Marley's legacy in recent years,! as well as the ongoing controversy over the possibility that Marley's remains might be exhumed from Nine Mile, Jamaica, and reburied in Addis Ababa, Ethiopia, where hundreds of Rastafarians live. The new edition also contains an expanded discography and is factually updated throughout.

"Probably the finest biography ever written about a popular musician."
--San Francisco Chronicle

"As close as rock journalism comes to transcendent literature."
--Playboy

"White has a deep appreciation for reggae's immediacy, hypnotic power, and contradictions . . . An exhaustively researched labor of love."
--Chicago Sun-Times

Bob Marley, reggae superstar and pop culture icon, left an indelible mark on modern music. Catch a Fire: The Life of Bob Marley delves deep into the life of the lionized leader of a musical, spiritual, and political explosion that still reverberates more than a decade a! fter his death. Almost nothing pertaining to the life of Bob! Marley is left out; the origins of Rastafarianism (the Ethiopian religion that was the keystone of his life), the roots of the reggae sound, the Jamaican political and social debacle that informed his lyrics--this is a comprehensive account of the life of the artist and the times that produced him.

Catch a Fire is assiduously researched; the details writer Timothy White presents of the King of Reggae's life are cinematic in scope and, at times, cumbersome. White includes much of his primary source material, ranging from full interviews with band members to unearthed CIA documents, and devotes a whole section to describing his exhaustive research process. The final product is rich with elements of spiritual tome, rock biography, and history text; it is a hagiographic epic--the story of a man and his legend. --Brendan J. LaSalle

The Hangover (Rated Single-Disc Edition)

• Condition: New
• Format: DVD
• Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; Widescreen; NTSC

From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Directo! r Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of hi! s first child than to hitch a ride with Ethan. If the situatio! n is som ewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyFrom The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach ! Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve. Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, w! ho's a version of every character Galifianakis has played to d! ate--slo venly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Ga! lifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic! moments are not--though by halfway though the trip, viewers m! ay wonde r if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2“A smart, funny and original treat,” Michael O'Sullivan, The Washington Post, DreamWorks Animation’s Megamind puts a whole new hilarious twist on the superhero movie.

Super villain Megamind's (Will ! Ferrell) dreams have come true when he conquers the city's protector Metro Man (Brad Pitt) gaining control of Metro City. But when a new villain (Jonah Hill) is created and chaos runs rampant, the world's biggest "mind" and his comic sidekick Minion (David Cross) might actually save the day. With an all-star cast - including Tina Fey - and amazing animation, Megamind is packed with high-flying action and non-stop laughs. Villainy is a way of life, but if a villain doesn't have a hero to battle, can he still expect the same sense of satisfaction from his evil deeds? When Megamind (Will Ferrell) finally defeats his long-time nemesis Metro Man (Brad Pitt), he ecstatically goes about laying ruin to Metro City, reveling in the fact that he can now have anything he wants. Surprisingly, Megamind's glee quickly turns to dissatisfaction as he realizes that the battle was half the fun and everything comes too easy now. Thus begins a plot to turn the nerdy Hal (Jonah Hill) into Tig! hten, a new hero for Megamind to battle. What Megamind doesn't! count o n is that Tighten may not turn out to be as good as he's meant to be. Nor does he anticipate falling in love with his old rival's girl Roxanne Ritchi (Tina Fey). In the end, Megamind finds he must rethink his assumptions about good, bad, and what makes him happy. Megamind and Despicable Me are remarkably similar movies: both deal with villains who are unfulfilled by their evil ways and who, despite their despicable natures, have some essential goodness deep down inside. Both villains are presented in highly stylized animation and the 3-D effects in each film are skillful and effective without being overdone. Megamind has Minion, who watches over him, while Gru has a whole crew of mindless minions supporting his evil ventures. Finally, both films are solidly entertaining. Because the two films were released within a few months of one another, speculation about who copied who will no doubt run rampant, but the bottom line is that both films are well worth seeing.! (Ages 7 and older) --Tami HoriuchiA las vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures then must retrace their steps in order to find him. Studio: Warner Home Video Release Date: 12/15/2009 Starring: Bradley Cooper Heather Graham Run time: 100 minutes Rating: RIf you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh,! and they're missing the groom-to-be.

The film is so cheerf! ully rau nchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.

Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the! bathroom. --A.T. Hurley

Stitchway UltraPower 1900 mAh (BLACK) Backup Battery Charger for iPhone 4,4G, 3GS, 3G ,iPod, iTouch-EXTERNAL, PORTABLE, RECHARGEABLE

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WORKS FOR iPHONE 4 and 4G. Also iPhone 3GS, 3G, 2G, iTOUCH, iPod. If your apple device depletes its battery early in the day then this is a "must have" accessory for you. You plug the handy, light weight (LESS THAN 2 OUNCES), portable STITCHWAY iPHONE BATTERY BOOSTER into the input port of the phone and you get a rapid total recharge. WIRE FREE. The charger attaches directly to the phone. . It will more than double the usage time of the phone. Or you can simply attach the charger and, if not used, will fully recharge your depleted phone in about 2 hours. 1900 mAh, THE LARGEST CAPACITY COMPACT BACKU! P POWER FOR iPHONES on the market (almost twice the charging power of a 1000 mAh unit). NOTE: mAh is how batteries are rated for capacity power. The higher the mAh rating, the more powerful the batteries. Charge battery with same power cables that came with your iPhone. WORKS WITH 3G S, 3G, 2G iPHONES; iTOUCH; ALL iPOD NANOS & CLASSIC

Fakers

• FAKERS is an off-beat, funny crime caper set in the London art world. Nick Blake (Matthew Rhys Decameron, Elizabeth) owes 50,000 and has no way off paying off local crime lord Foster Wright (Art Malik - True Lies, Bond: Living Daylights). That is until he stumbles across a lost sketch by legendary Italian artist Antonio Fraccini. Problem is it's only worth 15,000!! The plan is hatched; to forg

For anyone who has ever liedâ€"or been lied toâ€"True-life tales about faking, from Clifford Irving to Stephen Glass, by an award-winning writer.

Fakers are believedâ€"and, at least for a time, celebratedâ€"because they each promise us, screen-gazing and experience-starved, something real and authentic, a view, however fleeting, of a great thing rarely glimpsed. â€"from Fakers

From James Frey and his fake memories of drug-addled dissolut! ion to Stephen Glass and his fake dispatches from the fringes of politics to the author formerly known as JT LeRoy and his fake rural tough talk, we are beset by real-seeming fiction masquerading as truth. We are living in the era of the fake.

Fakers is a fascinating exploration of the varieties of faking, from its historical roots in satire and con artistry to its current boom. Paul Maliszewski journeys into the heart of our fake world, telling tales of the New York Sun's 1835 moon hoax, the invented poet Ern Malley (the inspiration for Peter Carey's novel My Life as a Fake), and Maliszewski's own satiric letters to the editor of the Business Journal of Central New York (written, unbeknownst to the editor, while he worked there as a reporter). Through these stories, he explains why fakers almost always find believers and often flourish.

Since 1997, the author has been on the trail of fakers and believers, ask! ing the tricksters why they dissembled and the believers why ! they wer e ever fooled. Fakers tells us much about what we believe and want, why we trust, and why we still get duped.

The essays in Fakers explore:

• Jayson Blair's faked New York Times stories, about Jessica Lynch and much else

• Early American con artists

• Oscar Hartzell and the long-running Drake's fortune scam

• Internet hoaxes about man-eating bears

• Han van Meegeren's forged Vermeers

• Clifford Irving's fake autobiography of Howard Hughes

• Michael Chabon's fictionalized version of his early years

• Binjamin Wilkomirski's fabricated Holocaust memoir

• In-depth interviews with three fakers: journalist Michael Finkel, painter Sandow Birk, and performance artist Joey Skaggs

Welcome to London! Pow! This fun, jaunty crime caper set in the London art world is slick, fun with great acting. Nick Blake (Matthew Rhys ABC s Brothers & Sisters) owes 100,000 to local crime lord Foster Wrig! ht (Art Malik - True Lies, Bond: Living Daylights). That is until he stumbles across a lost sketch by legendary Italian artist Antonio Fraccini. Problem is it's only worth £25,000!! A plan is hatched; to forge the drawing and sell it to five London galleries within an hour before anyone cottons onto the fact there's a scam going down. Co- stars Kate Ashfield (Shaun of the Dead).

Godzilla Bandai 6.5 Inch Classic Figure Godzilla Millennium

• Godzilla Bandai 6.5 Inch Classic Figure Godzilla Millennium

Godzilla Bandai 6.5 Inch Classic Figure Godzilla Millennium

Farce of the Penguins : Widescreen Edition

• Widescreen

It's mating season...

Meet Carl (Bob Saget) and Jimmy (Lewis Black), two cold penguins on a desperate mission to get themselves some hot booty. After years of empty one-night stands, Carl wants more than a piece of penguin tail. He wants the love of the beautiful Melissa (Christina Applegate). Now it's up to Jimmy to help his neurotic friend win her heart and find his dream girl. The only thing that stands in their way is...a seventy-mile trek across Antarctica. It's a road trip like no other, as these two best bros make their way to a penguin island paradise. From director and comedian Bob Saget, comes a raunchy, yet heart-warming comedy like no other.

Get ready for a stiff and dirty ride! May the FARCE be with you...Between Snakes On A Plane and Farce of the Penguins, one really wonders what Samuel Jackson has been smoking. This Jackson-narrated m! ockmentary of March of the Penguins, written and directed by Bob Saget (America's Funniest Home Videos), highlights the penguins' lascivious side, as the male's march inland to find mating partners. Overdubbed with human voices, Farce stars three penguins, Carl (Bob Saget), a neurotic, insecure bird whose search for true love has so far been in vain, Jimmy (Lewis Black), a mobster-like father figure who encourages Carl to keep up hope, and Marcus (Tracy Morgan), a smooth, African American penguin with a self-professed huge penis. Miles away, as the men journey inward, fighting off seals and engaging in therapy sessions with snowy owls along the way, Vicky (Mo'nique) tells Melissa (Christina Applegate) that someday her Prince Charming will come, which, predictably, he does. Watching penguins discussing the meaning of life, questioning their annual masochistic hike through tundra, or wondering if they have eating disorders is funny for about ten minutes. ! Samuel Jackson, the ultimate omniscient narrator, furthering t! he story between scenes is also odd and laughable. But Farce of The Penguins relies on its lewd humor for laughs, and though it is disarming to see waddling birds cuss, Farce's one-liner gets old. Yes, penguins have sex. Farce of the Penguins is a fun idea perhaps taken too far. Nonetheless, there is always something pleasing about anthropomorphizing animals, especially for lovers of crude sex jokes. --Trinie DaltonStudio: Lions Gate Home Ent. Release Date: 02/05/2008 Run time: 80 minutes Rating: RBetween Snakes On A Plane and Farce of the Penguins, one really wonders what Samuel Jackson has been smoking. This Jackson-narrated mockmentary of March of the Penguins, written and directed by Bob Saget (America's Funniest Home Videos), highlights the penguins' lascivious side, as the male's march inland to find mating partners. Overdubbed with human voices, Farce stars three penguins, Carl (Bob Saget), a neurotic, insecure! bird whose search for true love has so far been in vain, Jimmy (Lewis Black), a mobster-like father figure who encourages Carl to keep up hope, and Marcus (Tracy Morgan), a smooth, African American penguin with a self-professed huge penis. Miles away, as the men journey inward, fighting off seals and engaging in therapy sessions with snowy owls along the way, Vicky (Mo'nique) tells Melissa (Christina Applegate) that someday her Prince Charming will come, which, predictably, he does. Watching penguins discussing the meaning of life, questioning their annual masochistic hike through tundra, or wondering if they have eating disorders is funny for about ten minutes. Samuel Jackson, the ultimate omniscient narrator, furthering the story between scenes is also odd and laughable. But Farce of The Penguins relies on its lewd humor for laughs, and though it is disarming to see waddling birds cuss, Farce's one-liner gets old. Yes, penguins have sex. Farce of the Pen! guins is a fun idea perhaps taken too far. Nonetheless, th! ere is a lways something pleasing about anthropomorphizing animals, especially for lovers of crude sex jokes. --Trinie Daltondvd

The Ugly Truth (Diary of a Wimpy Kid, Book 5)

• ISBN13: 9780810984912
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Greg Heffley is in big trouble. School property has been damaged, and Greg is the prime suspect. But the crazy thing is, he’s innocent. Or at least sort of.

The authorities are closing in, but when a surprise blizzard hits, the Heffley family is trapped indoors. Greg knows that when the snow melts he’s going to have to face the music, but could any punishment be worse than being stuck inside with your family for the holidays?

Amazon Exclusive: A Q&A with Jeff Kinney

Question: Given all the jobs that you have--game designer, fatherhood, Diary of a Wimpy Kid movie work, etc.,--do you have a certain time that you set aside to write?

Kinney: I still treat writing like a hobby, working mostly at night and sometimes on weekends. But when a deadline looms my hobby time gets extended into the wee hours of the night. It's not uncommon for me to work until 4:00 a.m., and I'm usually back at work by 9:00 a.m.

Q: Did you get to choose which character you would play in the Wimpy Kid films (Mr. Hills)? What do you enjoy most about working on the movies?

Kinney: I never any real desire to appear in the Wimpy Kid films, but one day my wife encouraged me to be an extra in one of the crowd scenes. So I walked onto the set, ready to ask the assistant director to put me somewhere in the back. It happened that right at that moment the ! director was looking for someone to play the role of Mr. Hills! , Holly Hills's father. What I didn't realize was that I'd be front and center in the church scene, and in the new movie, I'm even more prominent. I'm incredibly self-conscious so appearing on-camera was a real stretch for me.

Q: In 2009 Time magazine named you as one of the 100 Most Influential People in the World--what’s the first thing you did after you found out?

Kinney: I thought it was a practical joke, so I tried to track down the source of the joke. I eventually reached a voicemail of a reporter who said they worked for Time, and at that point I thought it was just a well-planned practical joke. It took me a while to realize it was for real. It was a big honor, but I don't take it very seriously. I'm the fourth most influential person in my own house.

Q: Would you ever consider making Wimpy Kid into a newspaper comic strip or creating another one? Do you have any favorite comic strips that you currently r! ead?

Kinney: I've considered it. I set out to become a newspaper cartoonist but failed to break in. But I like the freedom books give me, so it would be tough to cram my ideas into three or four panels.

Q: What is (or could be) you motto in life?

Kinney: I was inspired to write by a Benjamin Franklin quote: "Well done is better than well said." But I always encourage kids to "create something great," because the tools to create something original and find an audience are available to them like never before.

Q: What was your favorite year in school, and why?

Kinney: Fifth grade was my favorite year. I had a great teacher, Mrs. Norton, who encouraged me to be funny and challenged me to be a better artist and joke-teller than I was. I liked it that she didn't coddle me.

Q: Kids now ask for a book that is “like Diary of a Wimpy Kid,” and with this series you’v! e created a whole new subset of books for young readers--how d! oes it f eel to be the person behind such massive book enjoyment, reaching reluctant readers, and spawning any number of titles that aspire to be “the next Wimpy Kid?”

Kinney: I'm happy that kids are reading. I think graphical books reach kids who might otherwise see books as work. Books should be fun!

Greg Heffley has always been in a hurry to grow up. But is getting older really all it’s cracked up to be?

 

Greg suddenly finds himself dealing with the pressures of boy-girl parties, increased responsibilities, and even the awkward changes that come with getting olderâ€"all without his best friend, Rowley, at his side. Can Greg make it through on his own? Or will he have to face the “ugly truth”?