Papa ¿ Porque te fuiste? (Hard Goodbyes: My Father)(Dhiskoli Apoheretismi: O Babas Mou) NTSC / Region 1 & 4 Import-Latin America

• Death of a Parent
• Fantasy Life

Elias , un niño de 10 años, que vive en Atenas, hace un pacto con su padre para ver el primer aterrizaje del hombre en la luna. Los dos se cuentan historias sobre Julio Verne y de los vuelos hechos en su imaginacion. Ellos son hombres de aventuras y exploradores. Pero las barras de chocolate dejadas por un padre ausente a lo largo de muchos viajes de trabajo se han acumulado, mientras la cuenta regresiva para el aterrizaje a la luna ha iniciado. Es el año de 1969. Una nave espacial ha despegado y el hombre ha dejado el planeta Tierra. Tambien el padre de Elias. Es la imaginacion y el amor que comparten al contar historias lo que permite a Elias trascender y superar lo inimaginable. Esta es una pelicula como tributo a nuestros padres. Penny Panayotopoulou's debut feature, Dhiskoli Apoheretismi: O Babas Mou (Hard Goodbyes: My Father), is a drama about an Athenian family coping with a death. In May 1969, ten-year old Elias (Giorgos Karayannis) is obsessed with the possibility of man landing on the moon and dreams up outrageous fantasy lives. When his father dies unexpectedly, he creates an elaborate fantasy that allows the father to stay alive in the boy's mind. His older brother and his mother have their own techniques for dealing with the tragedy. Hard Goodbyes: My Father was screened at the Locarno Film Festival, where Karayannis was awarded the Best Actor citation.

The Amityville Horror Poster 27x40 James Brolin Margot Kidder Rod Steiger

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Amityville Horror Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

FOR USE IN SCHOOLS AND LIBRARIES ONLY.There's no place like home...for bloodcurdling horror! James Brolin, Margot Kidder and Academy AwardÂ(r) winner* Rod Steiger fall prey to the powers of darkness in this spine-tingling tale ofa house possessed by unspeakable evil. One of the most talked-about haunted-house stories of all time, The Amityville Horror will hit you where you live. For George and Kathy Lutz, the colonial home on the river's edge seemed ideal: quaint, spacious and amazingly affordable. Of course, six brutal murders had taken place there just! a year before, but houses don't have memories...ordo they? Soon the Lutz dream house becomes a hellish nightmare, as walls begin to drip blood and satanic forces threaten to destroy them. Now the Lutzes must try to escape or forfeit their livesand their souls! *1967: Actor, In the Heat of the NightBased on a bestselling, allegedly nonfiction book about haunted goings-on in a Long Island house (The Amityville Horror Conspiracy), this rather cheesy horror movie is more silly than unsettling. James Brolin and Margot Kidder star as newlyweds who move into the empty home and are gradually affected by the legacy of a murder committed on the premises. Rod Steiger is a priest who can tell what's up and gets dispatched in a rather ugly way. Director Stuart Rosenberg can't lift the action above a certain level of tawdriness, and the audience ends up watching the horror from a distance instead of feeling involved. In the wake of The Exorcist, this 1979 spooker seemed l! ike a no-brainer knockoff--and still does. --Tom Keogh ! Based on a bestselling, allegedly nonfiction book about haunted goings-on in a Long Island house (The Amityville Horror Conspiracy), this rather cheesy horror movie is more silly than unsettling. James Brolin and Margot Kidder star as newlyweds who move into the empty home and are gradually affected by the legacy of a murder committed on the premises. Rod Steiger is a priest who can tell what's up and gets dispatched in a rather ugly way. Director Stuart Rosenberg can't lift the action above a certain level of tawdriness, and the audience ends up watching the horror from a distance instead of feeling involved. In the wake of The Exorcist, this 1979 spooker seemed like a no-brainer knockoff--and still does. --Tom Keogh House of Fear: An Anthology of Haunted House Stories

The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed br! iefly through the cracked window of a derelict house.

Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tuttle, Christopher Priest, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christopher Fowler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.
House of Fear: An Anthology of Haunted House Stories

The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house.

Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tuttle, Christopher Prie! st, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christo! pher Fow ler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.
The Amityville Horror reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Full Metal Jacket

• The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 085391163114 UPC: 085391163114 Manufacturer No: 116311

The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive.Stanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter. Certainly, Kubrick gave audiences plenty of reason to wonder why he made the film at all: essentially a two-part drama that begins on a Parris Island boot camp for rookie Marines a! nd abruptly switches to Vietnam (actually shot on sound stages and locations near London), Full Metal Jacket comes across as a series of self-contained chapters in a story whose logical and thematic development is oblique at best. Then again, much the same was said about Kubrick's 2001: A Space Odyssey, a masterwork both enthralled with and satiric about the future's role in the unfinished business of human evolution. In a way, Full Metal Jacket is the wholly grim counterpart of 2001. While the latter is a truly 1960s film, both wide-eyed and wary, about the intertwining of progress and isolation (ending in our redemption, finally, by death), Full Metal Jacket is a cynical, Reagan-era view of the 1960s' hunger for experience and consciousness that fulfilled itself in violence. Lee Ermey made film history as the Marine drill instructor whose ritualized debasement of men in the name of tribal uniformity creates its darkest angel in a murdero! us half-wit (Vincent D'Onofrio). Matthew Modine gives a smart ! and savv y performance as Private Joker, the clowning, military journalist who yearns to get away from the propaganda machine and know firsthand the horrific revelation of the front line. In Full Metal Jacket, depravity and fulfillment go hand in hand, and it's no wonder Kubrick kept his steely distance from the material to make the point. --Tom Keogh

Death at a Funeral

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

From acclaimed director Frank Oz (In & Out, Dirty Rotten Scoundrels) comes "a fast, furious and riotously funny farce" (Maxim) that'll have you dying with laughter!

As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).Though it doesn't hit the same comic heights as Bowfinger, Death at a Funer! al is a fun little romp. Granted, not all of the characters are meant to be humorous, like Daniel (Matthew Macfadyen, Pride & Prejudice) and his wife, Jane (Keeley Hawes, Tristram Shandy), straight-faced foils for the more over-the-top performers. After Daniel's father passes away, the couple offers to host the funeral, so all his relatives descend on the family abode, including Daniel's estranged brother, Robert (Rupert Graves, V for Vendetta). The mood is already tense when their cousin, Martha (Daisy Donovan), arrives with her nervous fiancé, Simon (Alan Tudyk, Serenity). On the way over, Simon takes a Valium that's actually a hallucinogenic concoction cooked up by Martha's pharmacology student brother. By the time they arrive, Simon's inhibitions are gone with the wind. Other guests include Uncle Alfie (Peter Vaughn) and an uninvited American mourner (Peter Dinklage). By the end of the movie, one of these individuals will be dead. Though! he's worked in the States for several decades, director Frank! Oz was born in the UK, and Death at a Funeral feels like the work of a British filmmaker. As drawing room comedies go, it may not rival Arsenic and Old Lace, but it's still funnier than most. If the film has a flaw, it's one misjudged moment of scatological humor, which is sure to induce more cringes than giggles. Fortunately, it's over quickly, and Tudyk's hilarious performance provides ample compensation. --Kathleen C. Fennessy

Beyond Death at a Funeral

More from Frank Oz

More British Comedies

More from MGM

Stills from Death at a Funeral

A funeral ceremony turns into a debacle of exposed family secrets and misplaced bodies. Studio: Sony Pic! tures Home Ent Release Date: 08/10/2010 Starring: Keith Davi! d Run t ime: 92 minutes Rating: R Director: Neil LabriteLess than three years after the 2007 Brit-com Death at a Funeral hit theaters, this remake offered a nearly scene-for-scene variation on the original. Once again a family has gathered for the dignified memorial service for a patriarch: older son (Chris Rock) has prepared a eulogy; younger son (Martin Lawrence) has flown in on his celebrity as a bestselling author; favorite niece (Zoe Saldana) has brought her fiancé (James Marsden, flipping out), unaware that he has accidentally ingested a hallucinogen manufactured by her pharmaceutically minded brother (Columbus Short, from Cadillac Records). You know, the usual fare for a funeral. The wild card is a stranger (Peter Dinklage, the only member of the cast to repeat his role from the 2007 film) who has something urgent to impart to the two sons. There's nothing terribly elevated about the slapstick, and one particular scatological sequence tests the boundaries of ! the bearable (30 Rock's Tracy Morgan, in his usual unbounded form, takes the brunt of this scene). The unexpected director is Neil LaBute, who shows off his sense of comic timing and keeps the whole apparatus moving along briskly. In addition to the relatively subdued lead turns by Rock and Lawrence, the big cast includes Danny Glover, Regina Hall, Luke Wilson, and Loretta Devine. It is almost irrelevant to debate whether this version improves or deflates the original; both hit their marks, deliver the broad yuks, and leave behind a mostly mechanical feel. But the job is accomplished--now rest in peace. --Robert Horton

GrooVe IP

• Call any phone in the U.S. or Canada using your mobile device but not your mobile minutes
• Get a free public phone number from Google Voice, first
• Make and receive calls using Wi-Fi and/or 3G if your without a mobile plan or reception
• Pay incredibly low rates for calls around the world (with the exception of free U.S. and Canada calls)
• Send incoming calls to voicemail

Parties are not always as fun as they look like they should be. The distinction lies in the realm between watching people have fun and actually having fun. Case in point: Groove. Set in San Francisco over the course of one night, this is the story of a rave, plain and simple. Preparation includes inhabiting an empty warehouse, finding the power supply, and sending out coded invitations. The movie kicks in as the party does, when people start arriving and the DJs start spinning. There's a nic! e moment early on when a cop shows up asking for the owner of the building, who is then taken on a tour of "a new Internet start-up." It becomes even funnier when the cop turns out to be smarter and more compassionate than anyone would expect. Writer-director Greg Harrison does a smart thing by focusing the story on David, a novice who's never been to a rave before, which breaks the story out of what could have been the suffocatingly insular world of rave culture. Unknowingly dosed by someone (his brother?), David is adopted by Layla, an attractive but lonely East Coast transplant who has begun to regret her party lifestyle. Other characters include a guy who's just proposed to his girlfriend, a college teaching assistant selling his own manufactured drugs, a nefarious lothario, a DJ who gets to meet his idol, and a gay couple having trouble finding the party. If the characters turn out to be just character types, that's OK because the movie itself floats by on its own high! -octane enthusiasm. Groove is light and frothy entertai! nment wi th a beat you can dance to. --Andy Spletzer

Robert Graham Men's Alamo Sport Shirt, Teal, Small

• Signature fleur de lis designs inside of neckband
• Single button cuffs

Perfect with your favorite denim on a casual day. Solid long sleeve washed cotton sport shirt with button tab at upper sleeve allows sleeves to be rolled up. Accented with contrast tape on front tab of inside neckband and cuffs.